Posts in Category: Day in the life

Long Day

Pillars

Shot at MacArthur BART while wait for Sarah to pick me up and go into the CIty.

Well, It’s been a long day. I think I’m too tired to write much tonight. But here’s some outlines.

I left for work about 8:15 and took the BART to my work at the Oakland Federal Building.

Two interesting things happened at work. First, one of the high-ranking respondents to a request for feedback on a draft business process guide I have been working on editing for months and months finally sent his response today, the very last day of the response period. He basically said this will not fly (contains unauthorized methods) and to stop the development process immediately. And that he’ll get back to us. Thanks.

The second thing that happened was that from my cubicle up on the seventh floor I heard what sounded like a car alarm going off down in the street below, along with some strange, pre-recorded muffled talking. After trying to ignore it for about 10 minutes by turning up the music in my earbuds, I finally got up to make a snide comment about it to a co-worker. After another five minutes of group snarkiness, the security officer came back through and told us to evacuate the building immediately. Oops. And don’t take the elevators. I walked down to about the fifth floor when I got word that the “drill” was over. Not sure but, I think we have failed the drill. Good thing it wasn’t one of those fertilizer bombs or I’d be in deep shit.

The day at the office was followed by two art openings. The first was a small show in a small cafe a block from my office in the street level shops of the Tribune building. I have one piece in the show. Thanks Sarah Filley! So, I walked over after work. I saw friend Paula Wirth, who curated the previous show I had some pieces in, and which led to one being in this one.  And I had good time talking to Paula’s friend Will, a jazz vocalist and a photographer. After a couple glasses of champagne it was back on the BART to MacArthur Station where my Sarah picked me up to go into the City for more festivities.

The second art opening was friend Seth Dickerman’s show at Muse Gallery in SF. The show is great. I really like his dreamy layering of motion anyway, but here the technique is used with multiple panoramic-style shooting that is rendered with distinct frames or panels rather than stitched into a single frame. This gives it a motion-picture-film-strip quality. Nice. Afterward, a bunch of us went to dinner at a taqueria on Valencia in the Mission. Overstuffed, mildly buzzed, and exhausted, I arrived back home 14.5 hours after leaving this morning.

Now, I’m really too tired to write another word.

Update: and judging by the typos I had to correct this morning, I was too tired to write the words I did write.

Disaffected Youth

Theo on Telegraph

Theo on Telegraph / © 2011 neo serafimidis

Is a picture really worth a thousand words? If so, which thousand? Who determines which thousand words it is, the author, or the viewer? Or someone else?

The day before Halloween we went down to the vintage stores on Telegraph Ave in Berkeley to find costume material. The first store we went into was having a closing sale and all items were $5. I scored a complete costume for $10. I figured I’d saved about $30. We were out in a jiffy, and afterwards, Theo and I waited outside while Sarah fought the lines in the hat store.

We goofed around and took pictures. I asked him to go stand by the wall. He walked over and turned around. I don’t know where he learned to put on this look of teenaged disaffection already. He constantly walks around with his jacket hanging off his left shoulder like this. It drives me absolutely crazy, but no amount of my pulling it up and zipping it up, and telling him to straighten up has any lasting effect beyond about about three minutes.

But appearances can be deceiving, as we all know. Beyond this obliviousness to his own appearance, and genuine stubbornness–thanks mom, for passing the genes along–he’s actually still very affectionate, concerned with fairness, and does not like cursing.

While we were taking our pictures and waiting for Sarah, our meter expired just a hundred feet away. As Theo and I walked up to the car to sit down and wait still more for Sarah to come out of the hat store, I saw the envelope. We had a $40 ticket, quite literally within 2 minutes of the meter expiring. How? Where had they come from? Did they sneak up? Did they get an alarm when the minute  passed?

Immediately, the disaffection ran upstream from the son to the father. I dropped f-bombs in disbelief.

And just as quickly, I was chastised, “Hey! You said bad words, Daddy!” I looked at him with his jacket hanging down, and an expression at once concerned and mischievous, and I said, “I’m sorry, Theo.”

Kokkari Stars

crispy zucchini cakes with cucumber & mint-yogurt dressing - $8.75

crispy zucchini cakes with cucumber & mint-yogurt dressing - $8.75

Beet salad with dill

Beet salad with dill

Grilled octopus with lemon, oregano & olive oil - $11.75

Grilled octopus with lemon, oregano & olive oil - $11.75

It turned out a little different than I had expected it would, than any of us expected it would. Not that I didn’t have high expectations. I did. I have been hoping to dine at Kokkari for a long time. We just never quite seemed to be able to get it together. But when we saw Jim and Kelly a couple weeks ago, we all talked about getting together soon in the new year, and I suggested Kokkari as a possibility.

That suggestion stuck with Kelly, and she made reservations only the day before. So, the earliest we could be seated was 8:15. What a fateful decision that was.

We arrived, waited a few moments for our table, and then were led through the restaurant and around to a round booth near another large table with a party of eight or so. After a few minutes we noticed something distinctive about the large party.

In the meantime we ordered and started drinking our first bottle of Greek wine. By the time the appetizers came, we were giddy. We started out with crispy zucchini cakes with cucumber & mint-yogurt dressing, oven-baked giant beans with tomato sauce, olive oil & herbed feta, grilled octopus with lemon, oregano & olive oil, and beet salad with olive oil and dill. They were all fantastic. The octopus was perfectly cooked, tender, delicately charred and nearly transcendent.

It is true that we had started with wine back at house, and wasted no time getting going at the restaurant. But that’s not exactly why we were giddy. Nor was it the appetizers. Rather, we determined that one of the people in the large party at the next table was Nancy Pelosi. She may not be the Speaker of the House at the moment, but her star power is utterly undiminished!

Nancy Pelosi at the table next door

Nancy Pelosi at the table next door

But before our entrees arrived, someone else did: Gavin Newsom and wife stopped over for a brief hello with the Pelosi party.

Gavin Newsom

Gavin Newsom

As the introductions went around we discovered that the gentleman sitting with his back to us was former Senator Christopher Dodd, chair of the Senate Banking Committee. By now we were beside ourselves.

Retired Senator Christopher Dodd

Retired Senator Christopher Dodd

Grilled sea bass

Grilled sea bass

Dry-aged rib-eye

Dry-aged rib-eye

That’s when the entrees came. Sarah and Kelly each had the Mediterranean sea bass. Jim had the dry-aged rib-eye. And I had the grilled lamp chops. I ordered them medium-rare and they came perfectly cooked. I managed to eat every bit, though all the portions, appetizers and entrees alike, were quite ample.

Lamb chops

Lamb chops

Heavenly galatobouriko

Heavenly galatobouriko

Baked apple with mastica ice cream

Baked apple with mastica ice cream

Finally, we finished up by sharing a couple desserts: a spiced baked apple served with mastica ice cream, and galatobouriko, which was absolutely transcendent. The house brought us a round of muscat dessert wine from the island of Samos.

As we were finishing the politicos got up to leave and as they did, Chris Dodd, turned to us and said, “I hope weren’t raucous and bothersome.” That was all the opening we needed to engage him in conversation. We talked about his young children, and his trip here working on the financial reform. When I thanked him for his service, he said “that’s really nice to hear, thank you”, and seemed genuine and sincere. Ms. Pelosi shot us a smile and a wave, too.

Finally, as were leaving the restaurant, the group was still stuck at the entrance, and with the secret service detail thrown in, it was a traffic jam. I took the opportunity to say to Ms. Pelosi also, “thank you for your service and great work.” She thanked me and shook my hand. We burst out into the cold night air still giddy and more than satisfied with our selection of restaurant, the fabulous food,  and the stunning star sighting.

Tape Music Festival

Building with Lights, Fort Mason Center, San Francisco CA.

Building with Lights, Fort Mason Center, San Francisco CA.

This evening I managed to attend The San Francisco Tape Music Festival 2011. I enjoyed it immensely. There were some really wonderful pieces and an appreciative audience. Of course, many in the audience were probably participants waiting their turn on this or one of the next two nights–I recognize that this is not a hugely popular genre. Nonetheless, it was good to see a decent audience out for this kind of art. I myself would go fairly regularly to see and hear experimental music if I could, but life is different now than it was when I was in college with few real obligations and responsibilities.

In any case, the first half consisted of works by Adrian Moore, Mauricio Kagel, Paul Dresher, and bran(…)pos. It was a solid set that really showcased the power of electronic music  experienced in a good venue with a terrific multi-channel sound system. The second half was more mixed with a piece by Christian Marclay being the standout. To be fair, by the time the second half began, my ears and brain were tired and I was surely not as receptive as I was earlier in the evening. The relative accessibility of the Marclay piece, with its turntablism aesthetic, gave it a leg up at this point in the evening.

The concert was at the Southside Theater at Fort Mason Center. I have never been to this particular space before, and had not been out to Fort Mason in a couple years, so wandering the foggy cold grounds for a bit after the show was a treat in itself. The Exploratorium has some installations along the water that focus on the nature of SF Bay, and they were interesting to see.

Beyond being a consumer, I was really inspired to again be a producer. Following on yesterday’s confessional post regarding picking up the guitar again, I’m now entertaining a commitment to using the gear that has been set up and dutifully standing by for years. It has sat here day after day as if any second I would just jump in and start working again at composing electronic.

I used to compose a lot, and even naively thought of it as a career track. I wish I had pursued it more rigorously and with determination. I’d love to have a job making experimental electronic music. And making fine art photographs. And perhaps putting the two together. Can’t I just have a patron?

Brain Re-wiring

Manny and the Gretsch

Manny and the Gretsch

Recently, Sarah and I went back to Fresno to attend a loosely organized get-together of people from the arts and music scene of the late 80’s and early 90’s. At least that’s how I think of it, because we left town in 1993. In fact, many people live elsewhere now, but come back to town over Christmas break to visit the family.

This year also included a bonus: a reunion gig of The Miss Alans, a popular Fresno band that really nearly broke through, but not quite. The reunion gig really turned out to be the centerpiece of the weekend. I was not really part of the TMA scene back then, but was really looking forward to seeing the couple members of the band that are friends and to seeing them play. One of the great things about the show was having an opportunity to really work on taking concerts photos in the low-light and high-contrast conditions. I had never had much luck with this before. But with my D300s, I was able to get some shots I was really happy with.

Then an awkward thing happened. During the last song of the show, guitarist friend Manny hopped off the stage to get a beer or something, and suddenly one minute I was slugging beer and taking photos, and the next I had a live guitar in my hand with the band vamping, waiting for someone to do something with it. Unfortunately, long ago were the days when I played guitar almost at all, much less in front of lots of people, and my brain was no longer wired for serendipitous improvising. So, deer-in-headlights syndrome was the result.

Yes, I was a little embarrassed by the whole thing. Even writing about it now is cringey. And it made me wonder why I even still have instruments taking up space in the closet and next to the computer. I had the realization that it was really time to get rid of this clutter in the house and in my psyche, this part of my ancient past.

Then a funny thing happened. My climate scientist friend Bill is taking guitar lessons and insisted we get together to try to work on some kind of modal soloing ideas he was introduced to at his guitar lesson. I didn’t really want to do this, think about this, face this. But I did. So, tonight we did that. We traded twos and fours over some progressions, and it was hard, but we both really got into it and had a great time. We came away exhilarated. So now we are planning on jamming every week, figuring it out, and getting it down.

Yeah. Face the fears.

Everyday

Fire

Fire on a winter evening.

I may be headed for a train wreck, or at least another large public failure. I’ve noticed recently that I have really slacked off taking photos. I still have a few regular things I’m doing, but the maniacal, camera-always-in-hand behavior has been tapering steeply away. So, when Darren mentioned to me yesterday that he was joining a Project 365 group on flickr, I knew right away that I needed that, too. This is a group where one takes one picture and posts it every day for a year. It might sound easy, but it’s a tall order. I know there will be many, many days where I won’t feel inspired or energetic enough to shoot, process and post.

So today Darren sent me the link to the particular group he had in mind (there are several on flickr and elsewhere), and I joined. And being the anal retentive sort, I really wanted to start the project on January 1, so I scrambled to see what I had over the last couple days so that I could catch up and get going. By a stroke of sheer luck, I had something from the first two days of the year.

The first shot above is a totally random shot of the fire at a little New Year’s Eve dinner party of neighborhood parents who were not going to make it to any of the usual hipster spots in SF to celebrate. Ah, parenthood. Thanks Bea and Steve. It was fabulous to be included.

Bottling the 2008 Cabernet

Bottling the 2008 Cabernet

The second shot is from a Sunday afternoon wine making session of our little winemaking group. That’s where Darren told me about his project 365 intentions. Thanks for the tip, Darren! And thanks for trading off corking the bottles; that’s hard on the lower back. Anyway, in this photo Sarah and Ruta’s arm are filling bottles with the 2008 Cabernet Sauvignon that the group made before we joined.

Telephone Pole and Shopping Carts

Telephone Pole and Shopping Carts

Finally, the third shot is from a shoot I did for the albany.patch.com feature I get to do, “Where in Albany…“. I’d tell you more about this particular shot, but I’d end up giving away the answer to this week’s play. I can’t do that until someone has guessed it. All I can say is that I serendipitously ran into my friends Emily and Ken as they were leaving a restaurant and I was wandering the streets looking for inspiration. Ken and I ended up standing there talking for a bit, and after awhile some other people came out of the restaurant. Standing around with a largish camera on a tripod often invites questions (sometimes confrontational ones!) and that’s how I ended meeting a couple other working photographers, including Chris Fuzi.

But I haven’t yet said what the risk in all this is.

It’s this. Once I got home and finished processing some shots, posting my albany.patch shot, and my flickr Project 365 posts, I happened to read an article on Mashable about WordPress putting out a challenge to bloggers to commit to posting everyday (or every week) in 2011.

Well, I can tell you that the drop-off in my blog posts has been bothering me for longer than the drop-off in photographing. So, now I’m committed to blogging everyday. That’s TWO 365 commitments, which is nuts. Because if there is one thing you can count on, it’s that I have no follow through. Naturally, combining the two and posting on the blog about the photo of the day over on flickr has already occurred to me, and this post is essentially the first one to take that approach. But still…

So, there it is. Check in regularly so you know when to start berating me publicly for flaking out!

Old Armenian Town

This is about all that's left of a once substantial Armenian neighborhood in downtown fresno.

Each time I visit my hometown, I feel a little more sad nostalgia for the once-vibrant downtown. My parents lived in one of the old residential neighborhoods in downtown when I was born. I’m not sure our house on S St. was officially within the area now referred to as Old Armenian Town, but we had many Armenian neighbors, which was fine for our Greek immigrant family.

Of course, as a teenager and even young adult, I didn’t think much about the neighborhood in which I spent my toddlerhood. But a few years later when it dawned on me that it would be really nice to see the street (or even the house!) in which we lived, I was sadly disappointed to find that not only was the house gone, several blocks of S St. no long existed, having been turned into medical office complexes around nearby Fresno Community Hospital (where I was born). Even some of this is now gone and replaced with a disappointing-looking condo complex. Still, about every third or fourth visit to Fresno, I would drive down there and wander the streets hoping I would discover some hidden fragment of S St. that would be a little time capsule, an example of what it was all once like, an indication of where I came from. Eventually, I sort of, well, got over it.

Two years ago, however, I got worked up again when I learned that the City had approved (re)development plans for what sounded like a cheese-ball commercial project to commemorate Old Armenian Town, called, oddly enough, “Old Armenian Town.” They demolished the last of the former Armenian neighborhood, saved three or four small houses, and moved them over to an empty field directly next to the elevated freeway, where, I guess, they would be “on display.”  There they have been on display ever since, up on blocks and surrounded by chain link and barbed wire, disintegrating in the Fresno summer. Links to an alleged page about the “Old Armenian Town” on the Fresno Redevelopment Agency web site return “page not found” and no mention of this “major commercial development” is made anywhere I could find on the site. This is no surprise. Counting the number of empty lots around Fresno where historic buildings once stood but now mark the sites of developments that stalled after the demolition phase is a lengthy, tedious exercise. If anyone knows anything more about the project, leave a note. I’d love to hear something good about it. At this stage, something would be better than nothing, I suppose.

Well, when I started this post, I meant to talk about my little photo walk in the neighborhood just to the south of the Fulton Mall and post some photos. Instead I became distracted by Old Armenian Town. Forgive me for that. I’ll get back to the photo walk shots in a day or so. In the meantime, here’s a couple more shots of the spot, including a nice one of the Sycamore trees I remember all over the neighborhood when I was small.

Sycamores in Armenian Town

Sycamores in Armenian Town

Old Armenian Homes in a museum of decay.

Old Armenian Homes in a museum of decay.

Pot Luck Paté

It was our turn to host a little foodie group that has been getting together for potlucks for the past year to share wine and recipes. The core group is made up parents of a gang of boys who were in kindergarten together and now mostly in cub scouts together.

I decided I’d make leg of lamb, which, since we don’t eat mammal much at our house, I had not tried in a long time. And also, since we don’t eat mammal (much) at our house, I thought I make a couple chickens also.

I checked prices on lamb at a couple places. I ended up getting a six pound boned leg at Costco. I think this was a mistake. In the first place, it was not THAT much cheaper. I might have got the same kind of price, about $5 per pound, at Trader Joes or even Safeway. More significantly, this Australian lamb was not as tender as I would have liked. And I was careful not to overcook it, so I know that was not the problem. I should have gone back to the wholesaler near my work and purchased the $9/lb local stuff. Next time.

Then I went to Magnani’s, the local North Berkeley poultry shop to get a chicken or two. I ended up getting the usual Fulton Farms birds and had them butterflied. While I was there, this tub of chicken livers started whispering, “take me home, take me home, make paté,…” What could I do? I had to buy a pound of chicken livers.

Well, now I had a few things to make. So the night before, I started marinating everything. I used basically the same kind of marinade for the lamb and for the chickens: lots of lemon juice, greek oregano, rosemary, garlic, salt, pepper, olive oil, and a cup of red wine, Folie a Duex’s Menage a Trois. Getting those trimmed, marinating, and back into fridge didn’t take too long.

So, why not make paté, too? That’s the kind of thing, I think, that benefits from being made the day before and letting the flavors blend. Well, I went through various cook books to find a recipe I’d made before. I consulted a stack of books, The Joy of Cooking, Julia Child, all the Silver Palate cookbooks, a New York Times Cookbook, etc. I easily ruled out anything that involved lining a terrine with pork fat or bacon and covering with aspic. I didn’t have the ingredients or inclination for that. Yet, I couldn’t quite decide on which recipe to make. None seemed to perfectly match the vague concept of paté floating around in my head. So, I sort of combined a couple and made something up. Someone asked about the recipe. So, here, as best I can remember, is what happened while bouncing back and forth between books while cooking this up. Ironically, it probably came out best of all the things I made.

  • 1 stick butter
  • 3 Tbls butter
  • 2 small celery ribs with leaves
  • 6 whole peppercorns
  • 1 bay leaf
  • 6 cups water
  • 1 tsp salt
  • 2 large shallots finely chopped
  • 1 clove garlic, finely minced
  • 1 small golden delicious apple, peeled, cored, grated.
  • 1 lb chicken livers, rinsed and patted dry
  • 1 boneless, skinless chicken thigh, rinsed and patted dry
  • salt and freshly ground pepper
  • tiny pinch of cayenne pepper
  • 2 tsp dry mustard
  • 1/2 tsp ground nutmeg
  • 1/4 tsp ground cloves
  • 1/4 cup calvados
  • 2 Tbls heavy cream
  • 1/3 cup dried currants

Cut the stick of butter into small pieces about 1/2 inch big, and spread them out on a plate, and place them in the freezer.

Add celery, peppercorns, and bay leaf to 6 cups water in a saucepan. Add 1 tsp salt and bring to a boil. Reduce heat and simmer for 10 minutes. While that’s simmering…

Melt 2 Tbls butter in a large skillet over medium-low heat. Add the shallots and cook until quite soft, about 4 minutes. Add the garlic and cook, stirring, 1 minute. Add the apple and stir constantly until softened, about 3 minutes. Remove all to the bowl of a food processor fitted with a steel blade. Back to the water…

Add the chicken livers to the water and simmer gently for about 10 minutes; livers should still be slightly pink inside. While they’re simmering…

Melt the last Tbl  butter in the same skillet that had the shallots and apple. Add the chicken thigh, season with salt and pepper, and sauté on medium heat about 3 minutes each side, until lightly browned and just cooked through. Add the thigh to the apple mixture in the food processor. Add the calvados to the skillet and deglaze, stirring and scrapping any bits stuck to the pan with wooden spoon. Tip the pan to catch the flame and burn off the alcohol (use a match if cooking on an electric stove). When the flame goes out, pour it all into the food processor with the other ingredients.

Remove the chicken livers from water and add to the food processor, discarding the water, celery and other things. Add the cayenne,  mustard, nutmeg, cloves, and cream to the mixture. Start processing and, with the machine running, add the cold butter pieces one at a time down the feed tube. Pause to taste and add salt or pepper if necessary. When all the butter is incorporated and the mixture is silky smooth, scrape it into a crock or bowl  and gently mix in the dried currants.

Smooth the top with a spatula. Cover by pressing plastic wrap directly on to the surface of the paté. Refrigerate until firm, at least 2 hours, or overnight if possible. Let stand at room temperature for 30 minutes before serving.

Serve with thinly sliced baguette, toasts, or crackers. Of course, cornichons, onion marmalade, and other such condiments are fine accompaniments.

Cold Tone Spring

880 South

880 South

I was going to say that lately, photography has felt like a struggle. Then I remembered that it isn’t just lately that it has felt that way. Last year I was talking to photographer and lab owner Seth Dickerman about a little creative crisis I was going through. At the time, I was shooting a lot, pretty indiscriminately, in fact. He said to me, “Sometimes, the hardest part is figuring out what you’ve got. Take your time and look at what you have.” He was talking about editing. My struggle at the moment is with inspiration to shoot at all. In a way, the same advice applies. Even with a trickle coming in, there are still so many images to come back to, review, retouch, organize, and so on. Looking again at what you have can lead you to some ideas to develop further, and then off you go, shooting with a new focus.

As it turns out, I have several series I have started working on over the last couple years that remain unfinished. I could do with some more time spent organizing and editing, and post-processing. This led me to another little series: experimenting with a cold tone look on urban landscapes. It has a kind of nostalgic look, and almost a little corporate or government brochure feel in some cases, as in the image above, 880 South. This is just the start, so we’ll see how far I get and where it goes.

Three Along the 880

Three Along the 880

The W. T. Rawleigh Co.

The W. T. Rawleigh Co.

New Street Light

New Street Light

Albany CA. 2010

I just noticed tonight that the street light right outside our house is different. It is is very white, almost blue light, and almost looks like LED. Then I noticed that several, but not all, of the street lights in the neighborhood have been replaced. It is easy to tell, because the contrast with the old yellowish sodium lights is striking.

I thought a web search was in order to see if this was part of something significant. Sure enough, I found the following information in this PDF:

The City will be replacing all “cobra head” street lights in Albany from High‐pressure sodium vapor (HPSV) to LED. Approximately $400,000 in Federal Stimulus Funds (ARRA funds) for energy efficiency will be utilized for this project. This project has many “green” benefits including:

  • CO2 reduction: 170,042 Kg/year
  • Energy savings: 324,506 kWh/year
  • First Year Cost savings: $28,374

They will be replacing over 600 of the old sodium lights. There’s also a lot said about improved visibility. It definitely seems much brighter out there. I hope it is not too much, since our bedroom window faces the street. On the other hand, I do like the quality of light much better than those terrible orangey sodium-vapor lights. It’ll make mundane neighborhood night photography much more fun.

Brighton Night

Brighton Ave, Albany CA, 2010.