Today is another day of nothingness. But as I wander through piles of photographs that have yet to processed and catalogued, I can’t help but smile when I come across something with as much charm as this. It’s got everything one could want: hollywood junipers, rock facade, decorative concrete blocks, googie styling, and of course a thrashed Matador. Ahhh, Albany.
Lucky me. Either the AMC collector in El Cerrito sold his collection or moved into my neighborhood. Three beat Matadors and a Javelin are constantly showing up parked in different places, trying to avoid the three-day limit on parking before towing happens. They are always somewhere new, but I never seen any of them actually in motion. Maybe he does it with a Star Trek transporter. The only downside is that there are no Gremlins or Pacers. C’mon! Are you a collector or what?
Predictably, I have problems with any creative activity I engage in. It usually boils down to two things, which ultimately are two forms of the same thing. First, a nagging feeling that if the work is not something totally novel, then it has little artistic merit. Call it the curse of modernism. Since pretty much everything has been done, or at least everything that a working parent might have time to do, that seals the deal on the possibility of artistic merit. And so every result feels inadequate.
Second, there’s a lack of commitment or willingness to see something through to its logical conclusion, to really try different variations and different approaches with a given idea until I have turned it round and round, and really analyzed it from every angle. I think that’s what good artists do. They don’t get bored with say, painting lemons, after painting 4 or 5 lemons. They are not done until they have made dozens and dozens of paintings and visualized lemons in every conceivable way. That kind of thing always impresses me.
But it’s hard for me to do.
On the other hand, I still seem to be making photos of partially cropped cars parked in suburban neighborhoods. It is not that I’m eagerly exploring new conceptual terrain in this theme. It’s just that it’s so easy to do. Old cars basically make the shot on their own, making my job easy. And there are so many of them around here that I can’t go a day without passing at least one or two worthy subjects. For the time being, I suppose I’ll keep going, as long as I don’t get into any fights in the process. If only I could turn a couple upside down and see the underside…
I recently changed the route of my bike commute to work. I was simply trying to get away from San Pablo Ave, which, while it is the straightest shot to my workplace, is also very bike-unfriendly. There are lots of cars, obstacles, freeway on/off ramps, and debris.
I decided that I would try to slide over to Hollis Ave through Emeryville, and this took me into west Oakland. The result is a new crop of photos, and some incubating ideas for future series.
I’m happy to announce my next photography show, coming up very soon! I will have a series of photographs of found autos from around the East Bay on display at Chop Salon hair salon. I have the editing almost done; it’s down to two sets of images, and I’ve got to pick which one to print tomorrow. It’s definitely down to the wire but I expect the show to be all hung and ready for the reception, Friday Evening, November 6. I will be up through the end of December. I will update with start time and more details in the next day or two.
The first set consists of complete broadsides of cars found parked on the street. Set B includes cropped cars. I’m not sure which it will be at the moment, but I’m leaning towards A. I’ll be including the nine square format shots of cropped cars from the last show (yes, sadly none sold from that), and I’m thinking the complete cars will provide the right amount of contrast. Here is the first set.
Here is the second set.
I have a soft spot in my heart for Pontiac. Ever since word of its demise, I have been meaning to take a picture of the sign at the dealership on Auto Row in Oakland. I finally got around to it the other day. And while I was driving around looking for a place to park, I saw some other photo ops on the side streets. This old Plymouth was in beautiful shape. And as I just commented over on flickr, I have to admit I find it very sexy in a zaftig sort of way.
The Junked Edsel and the Biodiesel Carnival Bread Truck, originally uploaded by neocles.
Last Friday, May 30, while biking to work, I stopped to take some quick shots of this junked Edsel parked off Murray St. just west of 9th in Berkeley. I rode through the empty lot, which is essentially an old railroad right-of-way, and set my bike down against the curb. This was far enough back to not have it appear in the shots I was taking. Near the bike was a large white pickup truck parked at the curb.
I had taken just a few shots and had my back to my bike taking the shot above. That is when I heard a loud snapping and crunching sound. I turned around to see the big white pickup running over my bike!
The truck, from Berkeley Unified, pulled over, and the driver got out. He looked pretty surprised himself, saying, “Jesus, that scared the hell out of me.” He apologized and was generally nice about the whole thing, as was I. I was too stunned to be angry or to even take a picture of it, if you can believe that.
The driver said, “That’s the problem with these big diesels, you can’t see right down in front of you.” My bike was a ways out in front of him, so I am not quite sure how he missed seeing it. Maybe he did but misjudged the location as pulled away from the curb.
We exchanged numbers and he drove off, leaving me to assess the damage. Fortunately, he only got part of it, mostly the handle bars. Most of what’s up there was crushed to bits: bell, light, gear shift, brake handle The bars, gooseneck (do they still call them that) and the seat are pretty bent up too. Surprisingly, the rest of it was in good enough shape that I could slowly ride it to work and home again. A professional inspection will tell what shape the frame is in.
Hopefully, I will be able to get the issue settled and bike repaired so I can get back to saving fuel, money, and greenhouse gases. And shooting more commute shots from the safety of the sidewalk.
Dented blue Chevy Impala parked on the street in Oakland 1, originally uploaded by neocles.
The path my photographic work has taken and this whole thing of my shooting old cars is difficult for me to understand. The thing is, i don’t really like cars that much. Well, that’s not completely true. I like the idea of cars, just not the reality. While i have threatened to buy an old ’63 Ranchero and drive around listening to Bob Wills and His Texas Playboys really loud, I guess I’m too practical and environmentally conscious to actually do it.
And I am not really a “car guy” just like I am not really a “sports guy”. I’m not quite butch enough for that. I’ll be perfectly happy when cars no longer have internal combustion engines, don’t accelerate as quickly, and generally seem more like wussy cars than muscle cars. I’m fine with that.
But the idea of owning my first car again, a black ’69 Firebird with blah, blah, engine, and turbo-blah-blah transmission, and so on, just has an enduring allure. Old cool cars just are still cool to me.
When i reflect on this for more than three or four seconds, I start to worry that it’s really just the result of getting old. The maturation process. The way of nature. I am reminded of being in my 20’s and being into contemporary design and avant garde everything with a zeal akin to that expressed in the manifestos of the Italian Futurists. I saw older people, parents of friends, with “antique” furniture, and thought, “yuck. how could anyone stand to fill their house with this absolutely hideous stuff”. This might seem curious considering that even then I was getting into deco, which I thought of as closely related to modernism.
And it still holds. A Model T is not particularly interesting to me. Not to photograph, not to own, not to daydream about. A Chevy Impala like the one above, on the other hand, is incredibly sexy. Those fins are amazing, the curves, sublime.
Thus one question is, is my appreciation for mid-century design, vintage (or what gets called “retro” even if the object discussed is an original piece) cars, houses, diners, lamps, matchbooks, etc., perfectly analogous to my friend’s parents’ penchant for 19th century Colonial Revival? Yikes! Has the next generation moved on to the next tidal wave of futurism rising up to inundate the 20th century and its nostalgic devotees? Somehow, I can’t help thinking that design from generation to generation, it’s value, and the social patterns that allow for succession to take place, are not simply subjective. That some things are just better than what came before or after. That it’s not just my pathetic nostalgia for the icons of my childhood that leads me to value these objects more than those.
This little mid-life crisis has deflected me from the original question at hand: why cars? It doesn’t appear I’m much closer to answering this. There are number of candidate answers: since I like the idea of cars more than the reality of cars, taking pictures of them wholly satisfies my desires regarding them; or having accepted, even embraced, the demise of the car as we know it, photographing them serves as a way to honor and document the final days before their disappearance; or perhaps they are just easy to shoot–especially when one routinely crops off one end or the other–making for easy points on flickr; or perhaps all of the above. It’s hard to say…. I suppose before too long i will have found every cool car in and around Albany and I’ll have to figure out something else to get fixated on.
Thursday is bike to work day, and that seems to be setting the tone for the week. My friend David wonders why anyone would live the automotive life after witnessing Seattle’s hellish cross-town traffic from the speediness, if not safety, of the bike lane.
I have been back in the saddle biking to work for a couple weeks now. I can definitively say the exercise has improved my disposition tremendously. But that’s not all. The opportunities for amusement are boundless, especially if you live in a place like Berkeley. This morning I found this enticing rest stop at one of Berkeley’s famously infuriating traffic diverters. Everybody I know hates these things designed to keep you on the slow crawl main arteries. But I love, I mean LOVE, riding through them on my bike.
I came across this a few minutes after coming across a medium-bad car accident just a couple blocks from my house, where a couple of Honda’s fought over the right-of-way through an intersection. (Sorry, no pics of that.) That’ll wreck your commute.
Of course, KQED’s morning news and traffic reports have been making much of how light the commute is becoming and attributing it to gas prices. I can certainly confirm the relative emptiness of the roads. It’s even making biking to work easier.
Maverick Xpro, originally uploaded by neocles.
My photographer friend, Joe, who himself pulled a Houdini on a substantial flickr presence, IM’d a link to me today. It is to Tim Connor’s blog post about a New York Times article about flickr and the rise of a flickr style of photography. I found it very interesting and cause for reflection about what I think I am doing with with the creative impulse, photography, and flickr. I don’t have any answers to that rumination just yet. But I did notice that telephony is not yet one of the technologies by which this came to you. So far, it’s newspaper, blog, IM, blog. If only I could have twittered in to your wireless refrigerator or toaster oven. Or something.
In any case, let me know how you think my stuff like the shot above fits in to the “style” described, or not.
You must be logged in to post a comment.