We finally made a terribly overdue visit to dear friends in Seattle. It is bad enough that we hadn’t made it there in about four years, but worse still, we missed the celebration of a significant anniversary. So a couple of days before school started, off we went, squeezing in one last get-away for the summer. At least we know enough to go in late Summer when one is as guaranteed as one can be in Seattle of clear skies. And clear skies is just what we had for four beautiful days.
As you can see from this, the first picture I took after arriving in the emerald city, the interiors aren’t bad either. That’s what you get with artist friends. In fact, the whole trip was a stunning reminder of what I miss about living here — the abundant creativity and aesthetic sensibility falling like rain, soaking everything.
Wendy and I worked together at a small tech company for a couple of years. We’ve stayed in touch since then and recently she pinged me about getting together to catch up. She suggested checking out the first night of Bill Frisell’s residency at Yoshi’s Oakland. Sarah wanted to come along too, so we all got there early to have dinner and thereby get good seats for the show. It was actually the first time I’d eaten there, and I wasn’t disappointed. The calamari appetizer, the edamame and, the sushi were all really good.
I knew Wendy wasn’t a big Frisell fan, so I was a little surprised. But this was part of her project to do something different from her usual routine each day for a year. Luckily for her, Thursday night wasn’t experimental music night, but rather Frisell’s more country music-oriented project. The announced line-up included bassist Tony Scherr, drummer Kenny Wollesen, avant-guitarist Marc Ribot and pedal-steel player Greg Leisz, as well as a special surprise mystery guest from Nashville: Buddy Miller.
The result was a country set of songs layered with beautiful steel guitar work, extended harmonic space, and a sprinkling of Frisell’s melodic lines.With three guitarists and a steel player, there was not a whole lot of room for Frisell to stretch out, and I’ll admit to a little disappointment not to get more from him. Marc Ribot also contributed and sang several songs, giving the set a darker and noisier edge on several songs. Ribot plays guitar like a man having a seizure, and that angular energy gives you the feeling that something unexpected is going to happen any second.
With all that, Buddy Miller was really the star of this show. I had seen Miller when he toured with Robert Plant and Alison Krauss, and enjoyed his work on that project, but I didn’t really get a sense of his depth. Last night was different. From his wonderful singing and solid playing, to his hilarious stage banter, he’s a great musician and tremendously entertaining.
Miller and Frisell have recently finished recording together in Nashville with a number of guest artists and singers. Much of this set consisted of songs recorded in that session. Needless to say, I’m already really looking forward to the CD coming out.
You must be logged in to post a comment.